In 1973, Carl Sagan created the Pioneer Plaque for the Pioneer 10 space exploration mission. Its purpose was to tell where Earth is and who we are in the “improbable but not impossible” (sic.) eventuality of extraterrestrial civilizations intercepting the probe.

Hyperfine splitting of Hydrogen

Earth’s position in the Universe defined by the intersection of eleven cosmic pulsars

Probe exit trajectory on its way out from our Solar System

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Humankind. Shape and size of the intelligent beings who are sending this.

The Pioneer 10 gathered important scientific data and then it flew into deep space.  It’s last very weak signal was received in 2003 when it was 12 billion kilometers from Earth. It should reach Aldebaran, in the Taurus Constellation, in approximately 1.690.000 years.

How would the Pioneer Plaque look today?

Selections and Awards

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Short Movie Club 2016 [Belarus]
People’s Choice Award
March 2016

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Near Nazareth Festival [Israel]
Official Selection
May 2016

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Machetanz Film Festival [Alaska]
Official Selection
March 2016

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Euro Fest 2016 [Russia]
Official Selection
May 2016

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Tuzla Film Festival [Bosnia]
Official Selection
April 2016

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INCORTO Festival [Mexico]
Official Selection
March 2016

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FILMETS Badalona Film Festival [Spain]
Official Selection
March 2016

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Top Shorts 2016 [USA]
Official Selection
March 2016

 

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MINIKINO FILM WEEK 2016 [Indonesia]
Semi-Finalist
May 2016

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Unrestricted View Film Festival [UK]
Official Selection
March 2016

 

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TOFF – The Online Film Festival 2016
Official Selection
March 2016

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Los Angeles Cinefest [Online]
Official Selection
May 2016

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Fiaticorti Film Festival 17 [Italy]
Official Selection
April 2016

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TIF Video Challenge [Cyprus]
Official Selection
March 2016

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Capodarco L’Altro Festival [Italy]
Official Selection
June 2016

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Caostica 2016 [Spain]
Official Selection
March 2016

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Castellaneta Film Fest 2016 [Italy]
Official Selection
May 2016

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PERIFERIA DELL’IMPERO FILM FESTIVAL [Italy]
Official Selection
May 2016

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ITALIAN MOVIE AWARD
Official Selection
July 2016

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Norwich Radical Film Festival [UK]
Official Selection
June 2016

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Mentions

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El vídeo de Kozlov es cruel, pero conectado con cierta ternura hacia la estupidez de la especie. Rápido, pero (hasta en la cadencia del inglés que usa) con un pautado rumor de fondo. Trepidante y multitudinario, pero lleno de rostros reconocibles, a veces deformados ligeramente hacia la caricatura. Muy actual, pero punteado poéticamente con una inteligencia atávica. 

– Ignacio Castro Rey,
Marzo 2015
Leer post completo en www.fronterad.com

#postmodernpioneerplaque by Boris Kozlov during #transmissionartfestival #videoart #screenings #tonight #bignight #artofvisuals #artfestival #mediaart

Una foto publicada por Transmission Festival (@transmission_festival) el

Why this?

Since the 60s and 70s, western societies have been losing the traditional explanatory structures and falling into a cacophony of collective claims regulated only by an often annoying political correctness. It’s potentially offensive to talk about someone’s race, sexual orientation, body, food preferences, illness, God… Yet meanwhile, we are asked to have an opinion on an increasing number of controversial causes, for example: does Femen objectify or free women? Is it OK to wear the hijab at school? Should the mentally ill adopt children? Should we prevent the Chinese from eating dogs?

This information overload produces confusion and perplexity, and, furthermore, apathy, depression and maybe even brain cancer. Want to give it a try? Start here at my Über Dazed and Confused News Page.

Why “Postmodern”?

Contemporary philosophers like Lipovetsky, Baudrillard, Kirby, Bauman, Vattimo, Van den Akker and  Vermeulen are enthusiastically debating postmodernism’s mutations and spin-offs such as Hypermodernism, Post-postmodernism, Liquid Modernity, Digimodernism, Metamodernism, etc.

I call postmodernism the perfect storm of the XXth century. It came and devastated the simple, naive, heartwarming logic of modernity once and for all. I believe we are still living the aftermath of this systemic apocalypse.

My project enacts the brutal confrontation of two centuries: post-WW2 progressive romanticism vs. todays über-modern era. This contrast fascinates and scandalizes me unceasingly.

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Before

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After

This project is also

A tribute to Carl Sagan

Watching “Cosmos” as a child, he was my guiding star. A man who embodied wisdom, passion for science, wild curiosity and kindness. A true Pacifist who saw us as one: Humankind, together with the animal kingdom and our beautiful Planet.

My uttermost respect towards this extraordinary person.

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The Postmodern Pioneer Plaque Project was conceived and produced
by Boris Kozlov

CREDITS

Voice over talent
Naeem Munaf
Sara Montgomery Campbell
Toni Rodriguez

Illustrations artwork by
Eduardo Gutierrez García

Original music composed by
Eric Foinquinos

Sound Design and Mix
Beltran Rengifo

Prodution consultants
Marta Kozlov
Luis Oliván

Silvia Figueras

Web
Diego Bartolomé

Additional design
www.elengargado.com

Additional soundtrack

“Multimilliardaire”
Album: K-R Quoi de neuf
Performed by K-R

“Panico”
Performed by
David G. Bonacho

“Jihad Trap”
Performed by
ZwiRek

Special thanks to
Zoe Berriatua, Álvaro Giménez Sarmiento, Alberto Olivan, Maja Petrić, Yamila Fernández-Colman, Jorge Frías, Álvaro de la Hoz, Javier Hormigos, José Manuel Carrasco, Isabel Fernández, Antonio Garrido

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